Side Note:
1. This is a user experience based review.
2. All images were shot in RAW and developed to JPEG in Olympus Viewer 2.
3. General camera settings, Noise Filter = OFF, Contrast/Saturation/sharpness = 0, White Balance = Auto (with an option maintain warm color set to OFF), Gradation = Normal
4. Minimal post-processing applied to the images. Only exposure compensation (brightness/contrast) and cropping performed for better consistency and overall presentation. Apart from that, the images were as good as straight out of camera (color and sharpness)
This blog entry is Part 3 of the Olympus M.Zuiko 12-50mm F3.5-6.3 lens user experience review. If you have not read the previous review write ups, please do so at the following links:
In Part 1 of the reviews, I have emphasized on the capability of the lens in performing macro (or more appropriately put, close up shooting), while in Part 2 I have tested the 12mm wide angle end of the lens to shoot scenery.
For this Part 3 which is the final installation of my reviews for this M.Zuiko 12-50mm lens, I have brought the lens out for my usual shutter therapy session, which is street shooting. The location chosen for the street hunting was Masjid Jamek, Jalan Masjid India and Chow Kit, all in the heart of Kuala Lumpur, Malaysia.
User-experience based review
As a reminder, and a note to first time visitors, this review will be written from a photography-enthusiast’s point of view. This will be a user experience based review, sharing on what I think and feel using the Olympus M.Zuiko 12-50mm F3.5-6.3 mounted on PEN E-P3 in real life shooting situations. Therefore, this is not a technical review as there will not be elaborative technical explanations, such as explanation of corner softness, optimum aperture range, chromatic aberration and so forth. In addition to that, I will not be doing direct side by side image and performance comparisons with other lenses. What I am presenting in this entry is merely what I can do with the Olympus 12-50mm lens for my usual shutter therapy session.
Why Street Photography?
Street photography is a demanding photography genre, to both the photographer, as well as his equipments (camera and lens). Different lenses will provide you with different perspective and results. Many photographers have strongly recommended the use of prime lenses (single focal length lenses) with various reasons on why that would yield better outcome for street photography. The desired outcome and even the core definitions of street photography have never stayed consistent, and were subject to endless debates over the decades. Similarly can be applied to the implementation and how street photography should be taken. I do agree that using the right tool will get the results that you have envisioned. Nonetheless, setting out all the variables and personal preferences when it comes to shooting aside, for street photography the performance of the lens will be put to test. Will the focusing be fast enough to capture dynamic subjects? Is the lens versatile enough to cover the shooting needs (lens reach, wide angle, etc)? Is the lens sharp enough to deliver enough details to reveal texture and depth of the environment?

50mm, 1/3200s, F6.3, ISO400